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Coco and Ivana’s Action Scenes in ‘FPJ’s Batang Quiapo’ Trend on Social Media

Ivana Alawi stunned viewers of “FPJ’s Batang Quiapo” as her character’s feisty action scenes alongside Coco Martin’s Tanggol became a hot topic on social media.

In the recent episode of the hit Kapamilya teleserye, Ivana’s character, Bubbles, engaged in a series of action sequences that involved non-stop gun fights and hand-to-hand combat.

“Hindi siya madali pero I’m very thankful kasi I’m supported by such a strong team. Tsaka may training talaga, hindi naman nila ako sinabak na ganun lang. May mga training din,” shared Ivana in an interview with “TV Patrol.”

Netizens were impressed with Ivana’s adrenaline-pumping scenes and they even dubbed her as a “potential action star.” Fans also felt ‘kilig’ and praised her oozing chemistry with Coco, who also displayed his signature fight stunts.

“Solid yung team up nila, di ko alam na ganun kaangas si Ivana pag aksyon, upgraded din cinematography sa action scenes” commented YouTube user @vlogbagam9079.

“Ai wow gusto ko yong action na pinalipad si bubbles habang nakipaglaban,in fairness magaling din to c Ivana maging ka tandem na action star galing, palakpakan,” said @romelaauxtero8346.

“galing ng tandem nila ni tanggol. the best tlga batang quiapo,” posted @creslove on TikTok.

Meanwhile, Coco expressed his utmost gratitude to the viewers of “FPJ’s Batang Quiapo” for the action series’ strong performance in the rating charts on primetime TV and online viewership.

“Sobrang thankful talaga sa buong team kasi lahat kami nagpapakapagod. Sulit ‘yung hirap kapag nakikita mo gabi-gabi na tinatangkilik ‘yung pinaghihirapan niyo at nararamdaman mo ‘yung pagmamahal ng mga Pilipino, napakasarap sa pakiramdam,” said Coco.

1 Comment on Coco and Ivana’s Action Scenes in ‘FPJ’s Batang Quiapo’ Trend on Social Media

  1. send to legends of horror,mediamass and anime planet from justin adam bunnell happy holidays // October 27, 2023 at 2:52 am //

    Looney Tunes Movie ‘The Day the Earth Blew Up’ Launching at AFM From Warner Bros. Animation, GFM Animation (EXCLUSIVE)
    Variety
    LEO BARRACLOUGH
    October 26, 2023 at 10:06 AM

    Porky Pig and Daffy Duck, one of the most beloved comedic duos in showbiz history, are set to make their return to the big screen in the sci-fi comedy adventure “The Day the Earth Blew Up: A Looney Tunes Movie.”

    GFM Animation will launch worldwide sales on the Warner Bros. Animation-produced theatrical feature at the American Film Market (Oct. 31 – Nov. 5) and will share first-look footage. “The Day the Earth Blew Up: A Looney Tunes Movie” is the first-ever fully animated Looney Tunes feature-length movie created for a movie theater audience.

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    Directed by Pete Browngardt and the creative team behind the “Looney Tunes Cartoons,” “The Day the Earth Blew Up: A Looney Tunes Movie” stars Porky Pig and Daffy Duck as unlikely heroes and Earth’s only hope when facing the threat of alien invasion. In this buddy comedy, the heroes race to save the world, delivering all the laugh-out-loud gags and vibrant visuals that made the Looney Tunes so iconic, but on an epic scale not seen in the franchise before.

    Sam Register, president, Warner Bros. Animation and Cartoon Network Studios, said: “Our artists have created an incredible Looney Tunes film that follows in the cinematic tradition of when audiences first fell in love with these characters. GFM Animation are the perfect partners to help us bring Porky and Daffy back to their rightful place on the big screen.”

    Guy Collins, chairman of GFM Animation, said: “It’s thrilling for the team here at GFM Animation to be handling the worldwide distribution sales on a movie with such an iconic IP, working with the terrific team at Warner Bros. Animation. It is great to see all their hard work in progress at this advanced stage of production. Independents rarely get to work on movies with such affinity awareness from fans worldwide and we know they are going to love Porky and Daffy’s sci-fi adventure just as much as we do.”

    Produced by Warner Bros. Animation, the film is currently in production with delivery set for Q2 2024. Browngardt also serves as an executive producer. Alex Kirwan (“Looney Tunes Cartoons”) is supervising producer. Sam Register (“Teen Titans Go!”) is also an executive producer.

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    ‘All of Us Strangers’ Director Andrew Haigh Breaks Down His Deeply Personal Gay Drama
    Variety
    BRENT LANG
    October 26, 2023 at 2:18 PM

    Andrew Haigh has described “All of Us Strangers,” a spectral meditation on love and loneliness, as a deeply personal film, one infused with his own feelings about parents and relationships. That’s not unique — write what you know is an adage for a reason. But “All of Us Strangers” may be one of the only major movies to have been shot in the childhood home of its creator. Shortly before production commenced, Haigh knocked on the door of the house he lived in until he was 7 or 8 years old and discovered that little had changed in the ensuing decades.

    “The owner agreed to let us film there,” Haigh says. “He hadn’t really decorated it in 30 years, so all these memories came flooding back. And then we used my old photos to make it look almost exactly as it had. It was so emotional for me, but it was also cathartic. It was a chance to re-approach my past.”

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    That’s exactly what Adam (Andrew Scott), a gay man in his 40s living a life of quiet desperation in a starkly modern London apartment building, undergoes in “All of Us Strangers.” Although his catharsis has a supernatural element. One night, he returns to his old neighborhood to find his parents (Claire Foy and Jamie Bell) alive and well — even though they died in their 30s when Adam was a child. He keeps coming back, hoping to better understand how their loss shaped the person he became.

    “I can relate to what he’s feeling,” Haigh says. “The child in us is essentially always there and stuff that you carry around as a kid. You think you’ve grown out of it, but it can bubble over, affecting how we live.”

    There were important differences in Haigh’s story and that of his protagonist. Most notably, the writer and director’s father and mother are still alive. But even if he didn’t experience the same type of tragedy as Adam, his parents’ divorce when he was a preteen rattled his sense of security.

    “When my family broke down it created this loss at the center of things that was difficult to cope with, so in some strange sense I experienced a grieving process,” he says.

    At the same time Adam finds himself drawn back into his past, a chance encounter with a 20-something neighbor (Paul Mescal) presents the prospect of a romantic future. And one of the things that makes “All of Us Strangers” so compelling is that its four leads are from three distinct generations. That’s shaped the way they see their world, and it enabled Haigh to reflect on his experiences growing up queer in the 1980s and ’90s. AIDS cast a mushroom cloud-like pall over everything, and homophobia was rampant. There’s a moment in “All of Us Strangers” where Adam comes out to his mother, and her reaction is not one of disgust or unyielding support, but deep concern.

    “I wanted to remind myself and people who are watching what it was like back in that time,” Haigh says. “It was a very different experience to come out, so how the mother reacts in the film is exactly what everybody was thinking at that time. It was how we thought about ourselves. We worried we’d be lonely, and we wouldn’t find love.”

    Haigh feared that a younger generation of queer viewers, raised during an era of wider cultural and political acceptance, wouldn’t be able to relate. “All of Us Strangers” won’t hit theaters until Dec. 22, but the reaction among audiences at Telluride and the New York Film Festival, has reassured him that the film’s themes of buried pain and isolation resonate.

    “It’s interesting talking to younger gay people because we’re always told that everything is better now, but that doesn’t mean that they aren’t still struggling and they don’t feel separated from their family,” Haigh says. “And lots of people who aren’t queer take something from it. It hits people in different ways, but I think everyone feels alone some time.”

    Critics have embraced “All of Us Strangers,” just as they have endorsed Haigh’s previous works such as “Weekend,” “45 Years” and “Lean on Pete.” But the filmmaker, who has built up a sturdy base of fans, admits that he’s terrified each time he embarks on a new project. Yet he’s learned to embrace the feeling of anxiety that grips him.

    “What you soon realize is everyone is terrified,” Haigh says. “Actors are just as nervous as directors. That was a comforting realization. I remember talking to Tom Courtenay on the first day shooting ‘45 Years,’ and he was petrified. This is a legend and he’s still scared. As a director, you just want to create a space where people can use that vulnerability to do work that they feel good about.”

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    Barry Pepper, Sam Neill Mob Thriller ‘Bring Him to Me’ Sells to Roadside Attractions and Samuel Goldwyn Films (EXCLUSIVE)
    Variety
    REBECCA RUBIN
    October 26, 2023 at 2:00 PM

    Roadside Attractions and Samuel Goldwyn Films have acquired U.S. rights to “Bring Him to Me,” a mob thriller starring Barry Pepper (“Saving Private Ryan”) and Sam Neill (“Jurassic Park”).

    The film will open in select theaters and on digital on Jan. 19, 2024.

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    Written by Tom Evans and directed by Luke Sparke, “Bring Him to Me” centers on a mild-mannered getaway driver (Pepper). His conscious is tested when his mob boss asks him to collect a young and unsuspecting new crew member, known as Passenger (Jamie Costa), one week after a violent robbery. The driver must battle his conscious as he takes the passenger to an uncertain fate. The cast also includes Rachel Griffiths, Liam McIntyre and Zac Garred.

    “My goal with ‘Bring Him to Me’ was to bring a talented team together to make a suspenseful and action-packed film that explores loyalty and moral dilemmas,” Sparke said in a statement. “I’m thrilled that audience will get to see the film in theaters.”

    Photon Films will release the film in Canada. Myriad Pictures has world sales rights (excluding ANZ) and will be screening the film at AFM. Carmel Imrie and Carly Sparke of Sparke Film produced the film, along with Zac Garred as co-producer. Executive producers were Luke Sparke, Geoff Imrie, Sean Virgin and Martin Walton.

    “Luke Sparke has delivered a classic crime saga with especially juicy and iconic roles for veterans Barry Pepper and Rachel Griffiths to sink their teeth into, as, respectively, a conflicted criminal and his ruthless crime boss,” Roadside Attractions co-presidents Howard Cohen and Eric d’Arbeloff said.

    The acquisition was negotiated by Cohen and Kirk D’Amico of Myriad Pictures negotiated on behalf of the filmmakers.

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    ‘Carol & the End of the World’ at Netflix Sets Voice Cast Including Martha Kelly, Michael Chernus, Bridget Everett
    Variety
    SELOME HAILU
    October 26, 2023 at 1:58 PM

    Netflix has set the voice cast for “Carol & the End of the World,” an adult animated series created by Dan Guterman that will debut on Dec. 15.

    Martha Kelly will play the title role. The series takes place as extinction is imminent thanks to a mysterious planet hurtling towards Earth. While most people feel liberated to pursue their wildest dreams, Carol, quiet and always uncomfortable, woman stands alone — lost among the hedonistic masses.

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    Kelly is best known for starring in the FX comedy “Baskets” as Chip Baskets’ (Zach Galifianakis) friend Martha Brooks. In 2022, she guest starred in HBO’s “Euphoria” as drug dealer Laurie, which earned her an Emmy nomination. Kelly’s other prominent credits include “Gaslit” on Starz, “Hacks” on Max and “The Great North” on Fox.

    The ensemble of “Carol & the End of the World” also features Michael Chernus (“Severance,” “Spider-Man: Homecoming”), Bridget Everett (“Somebody Somewhere,” “Patti Cake$”), Beth Grant (“No Country For Old Men,” “The Mindy Project”), Lawrence Pressman (“Reboot,” “Modern Family”), Kimberly Hébert Gregory (“Craig of the Greek,” “Vice Principals”), Mel Rodriguez (“Onward,” “Last Man On Earth”) and Delbert Hunt (“Monster High,” “Super Giant Robot Brothers”).

    “’Carol & the End Of The World’ is a love letter to routine. A show about the comforts of monotony. An animated and existential comedy about the daily rituals that make up the gaps that make up a life,” said Guterman, whose writing credit include “The Colbert Report,” “Community” and “Rick and Morty.”

    Guterman executive produces alongside Donick Cary, with Kevin Arrieta co-executive producing. Bardel Entertainment Inc. produces the animation.

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